one project: gather the last words of women murdered by the state, counterrevolutionary forces, or their boyfriends. and i guess letterpress them?
another project: there's a place further east in the real midwest that prints their own currency and uses it in a self-made local economy that exists parallel to the other one that rips people's entrails out and ties them to the bottom of the road. do that?
another project: write poems duh.
another project: have a kid with someone who doesn't suck and doesn't mind what people like to call my "contrarian" approach and thinks i'm sexy but never calls me something i think it's stupid to want to be, like beautiful. mod: adopt a kid with someone... etc.
another project: learn how to operate anonymously would maybe be good.
another project: go to sleep. but i've been writing about going to sleep and melodramatically.
another project: i truly love M.I.A.
Friday, October 17, 2014
Tuesday, October 14, 2014
CONFUSING RESOURCE CENTER
every one of them talks.
found something about myself this trip:
i want to 'go back'
in even small denominations,
like i want to lay in the cemetery twice.
leading up to my release,
songs that said "you can come back"
held my skeleton up and out,
and upon me a rock, a river,
your country, memorizing this poem off encarta,
memorizing this poem again but the whole length
and saying it to all the strangers in my new shitty high school.
the first month i got paid to work in a school,
it was like 8 schools, and i hated being in secondary.
one reason is: it was the first time i realized that
i'm very very very very slow at becoming whole.
look into your sister's eyes, stupid. look with your brother's face.
come back to the bar where i spilled beer
on one person and bought four beers to compensate.
come back to the top of town and stare at the mountain,
then the buildings that get paid to stare it down.
the rocks, the windiest riverbend on earth, the hiking deaths.
i felt like a swagger in the nines. i rarely feel like a swagger.
i felt somewhere else when i chewed the third oyster.
i want to go back to bed, your country,
and say simply, very simply, with hope,
"i'm sleeping".
found something about myself this trip:
i want to 'go back'
in even small denominations,
like i want to lay in the cemetery twice.
leading up to my release,
songs that said "you can come back"
held my skeleton up and out,
and upon me a rock, a river,
your country, memorizing this poem off encarta,
memorizing this poem again but the whole length
and saying it to all the strangers in my new shitty high school.
the first month i got paid to work in a school,
it was like 8 schools, and i hated being in secondary.
one reason is: it was the first time i realized that
i'm very very very very slow at becoming whole.
look into your sister's eyes, stupid. look with your brother's face.
come back to the bar where i spilled beer
on one person and bought four beers to compensate.
come back to the top of town and stare at the mountain,
then the buildings that get paid to stare it down.
the rocks, the windiest riverbend on earth, the hiking deaths.
i felt like a swagger in the nines. i rarely feel like a swagger.
i felt somewhere else when i chewed the third oyster.
i want to go back to bed, your country,
and say simply, very simply, with hope,
"i'm sleeping".
Saturday, December 28, 2013
ANGRY DOING
already attempting
to paint poems
like goya going deaf.
people singing threats
all the way from
the hidden side of the hill.
with my face i make
a scary goya.
i say
i don't want to get much older.
when i drive
i feel like the driver
of my childhood car
smashing everything.
i'm so good at
tiny demolition.
saying
"I HATE YOU"
over and over in an email
with the words
"i'm sleeping weird".
i don't hate you
loosely steering
my behaviors
like a combo
of good sweats
queueing up
hormonal responses.
every young man
in this building
is attractive and
it's putting me
to sleep,
in the sense that
i want to die.
by luck,
i read adrienne rich
telling her lover and me
that our hands are fit
to carry out the violence
to end violence,
and it causes me
to shake and
step back out of traffic.
to paint poems
like goya going deaf.
people singing threats
all the way from
the hidden side of the hill.
with my face i make
a scary goya.
i say
i don't want to get much older.
when i drive
i feel like the driver
of my childhood car
smashing everything.
i'm so good at
tiny demolition.
saying
"I HATE YOU"
over and over in an email
with the words
"i'm sleeping weird".
i don't hate you
loosely steering
my behaviors
like a combo
of good sweats
queueing up
hormonal responses.
every young man
in this building
is attractive and
it's putting me
to sleep,
in the sense that
i want to die.
by luck,
i read adrienne rich
telling her lover and me
that our hands are fit
to carry out the violence
to end violence,
and it causes me
to shake and
step back out of traffic.
Sunday, November 17, 2013
ALL FLOWS OUT
in a noisy, i just look away.
needing advice for my coward
born with bruised wrists
because i was eating at them.
i don’t know the word twisting
when it does. i said 27/34
words of the poem my right mind
knows, and CLEAR IS MY SOUL
AND ALL THAT IS NOT MY SOUL.
to sleep is punishment.
eating is nice but
hunger is punishment.
i try for five days what took him
quite some years to live with.
i cut a lime the wrong way
only once. i cut it every day.
clear is my sensitive belly button
and the skin on my fattest parts
getting cold first.
because of chemical jewelry in my blood,
i have wanted to name a baby
since wednesday morning.
Monday, August 19, 2013
BECAUSE PAUL CELAN
over the evening paint
of the first bulb's segmentation,
a late husk, evermorning pigment
separating from the plane of skin
and not facing a barricade when it
skims inways toward the lakebed.
it takes a second for my tactile feed
to become audible, asking why
has the yolk in you stayed whole
all this time that clicks against it,
threatening it, making me from below
a lousy mouth hanging open in wait.
Monday, July 8, 2013
PINNED TO THE LAKEBED
i wanna puke
there's too much poetry for me.
my mouth won't close
i broke my crooked fronts on
scratching through the light boxing me.
i don't wanna cry but i am.
when's the last time i stood outside and waved until someone was gone?
i'm a floppy person
i guess i screech.
the floor is altered completely by one pillow.
why will no one stick her hand in my hair regularly?
i'll never try too hard to know.
in heaven
you get to choose your fatigue for a living.
there's too much poetry for me.
my mouth won't close
i broke my crooked fronts on
scratching through the light boxing me.
i don't wanna cry but i am.
when's the last time i stood outside and waved until someone was gone?
i'm a floppy person
i guess i screech.
the floor is altered completely by one pillow.
why will no one stick her hand in my hair regularly?
i'll never try too hard to know.
in heaven
you get to choose your fatigue for a living.
Thursday, July 4, 2013
AS IF CAREENED FORWARD TO MEET ME
many parts burnt
warm patches
of soft living problem
the food of all biting flies
the smelt leviathan
hey dog
how are your brains
i hear you cry
you look 12
you've been through many seasons
of trying to get pregnant
don't let me stop you
from romp and loud talk
not my place
my imagination
is a dashboard of touching
and i can't make anything
less than decades practiced
happen
warm patches
of soft living problem
the food of all biting flies
the smelt leviathan
hey dog
how are your brains
i hear you cry
you look 12
you've been through many seasons
of trying to get pregnant
don't let me stop you
from romp and loud talk
not my place
my imagination
is a dashboard of touching
and i can't make anything
less than decades practiced
happen
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